Daydream Believer

I'm just not creative... This is something that I hear all too frequently. It's usually accompanied by a slow puzzled head shake and a glazed look at whatever creative thing I'm doing. It's like they're staring at that thing and wondering why they can't think of things like that. In my consulting work a similar reaction comes when the client hears a course design and asks, "How do you come up with this stuff?"

The simple answer is daydreaming.

I am and always have been an unapologetic daydreamer. For evidence of this see my writer's confession. At my client's office it may seem like I'm just playing or socializing or surfing the internet, but there is always a purpose to what I'm doing. I'm letting my mind go and eventually it will go to the solution that I'm looking for.

Unfortunately, we are conditioned not to daydream. In school we're told that it's bad, unless we're lucky enough to have a teacher who recognizes it for what it is. In adulthood we have responsibilities like jobs and kids that require our focus. On top of that we now have media content (social or otherwise) at our fingertips with which to occupy ourselves. Our natural inclination to daydream gets shut down or pre-empted by life and noise. But we should never underestimate the power of daydreaming.

Now that my training work has increased, I have less time to devote to daydreaming than I did when I was at home with the kids. So I have been seeking ways to promote daydreaming at the appropriate times. Triggers to shut the world off and set my mind flying.

Music is a method that has worked wonders for me when it comes to fiction. I associate certain songs or styles of music with certain characters or situations and use them to put myself in the right mindset. For general purpose daydreaming I try to find classical music to fit the mood of what I'm writing, such as Beethoven for soaring emotions, Grieg for action or Chopin for working through plot questions. These are good for certain characters and mood, but sometimes even with headphones and repetition these triggers have a hard time shutting off the internal noise of to do lists, chores and general worries.

I have also found that "meditative doodling" or Zentangling as some folks call it is a great way to quiet the noise and spark daydreaming. Zentangling is a method of pen and ink drawing that is focused on weaving together shapes and repeated patterns within a defined drawing space usually just a few inches square. It starts with a simple "string" that gives the shapes the patterns will follow. Choosing which pattern fills each shape and how they fit together forces you to make quick creative choices. It's like a jumpstart for the creative process. While the repetition of the patterns leaves room for your thoughts to wander. It's a very relaxing experience and can get your creative juices flowing, like yoga for your brain.

In addition to sparking those creative juices, you end with a pretty drawing. So, you still have that sense of accomplishment even if what you were thinking about while you were drawing is an ongoing project. I have been using this method over the past few weeks to try to wrap my brain around some of the revisions in The River Maiden with great success.

Here are a couple drawings that I've done while thinking about what will happen next to Dermot and Sarah.

If you would like to learn more about Zentangling you can check out Zentangle.com for more info.

You can also see some more examples from people better at it than I am on my Pinterest board.

If you're interested in reading more about daydreaming and how it can be a powerful thing, check out this article from Psychology Today.

To outline or not to outline

I can't count the number of writers that I've heard in various forums saying that they just sit down and write and "let the story take me where it will" or something like that. These people often say that they don't know how a story will end when they start writing. Now, I'm not one to cast aspersions on anyone's process. I say do what works for you, as long as it's actually WORKING.  I however, have never been one to just sit and write with no end in mind, at least not for anything longer than a blog post. That method might work for poetry, flash fiction or even short stories, but anything longer than a few printed pages and I better have an outline. This could be the fault of my high school English teacher, Rita Mullins. Aside from Mrs. Mullins many gems of literary wisdom, one of the things that she taught us that I have used the most, is how to create and work from an outline.  I don't want to brag (Yes, I do.) but as a corporate trainer, I never missed a deadline for writing training material. That was entirely due to this habit of working from an outline. Where other trainers who weren't natural writers would sit and stare at blank screens trying to come up with a plan, I would schedule a plan allowing a specific amount of time for researching, brainstorming, outlining, writing and editing and I would work that plan. Voila! Training class on time with minimal stress.

Here are some of the key things that an outline provides for me:

1) Direction: Novel writing isn't a simple as writing training manuals. Sometimes I just feel a scene and it's better to write that when I'm feeling it or it might lose its emotional punch. But if I don't want to lose my way writing from point A to point Z then an outline is a necessity. There is always room for switching items around, changing order and scrapping scenes altogether. That's why I tend to do my outline on index cards, and nerdily color code them according to plot or sub-plot. For a large project like a novel, it's a way to get a bird's eye view of the whole story. Plus it's reminder of what needs to be written next. That doesn't mean that I write scenes in order. If I'm feeling one scene I might work on that. Likewise, if I'm not feeling one, then I can check what else needs to be written and try one of those.

2) Plot Check: Working without an outline is a bit like driving on back country roads with no map or GPS. It might be a lot of fun, in fact that's one of my favorite pastimes, but unless I have some set destination in mind, I'm likely to meander about with no direction take forever to get where I'm going. A book is not like that. If you meander about too much you risk losing the reader's interest. Lengthy passages about the beauty of barns on the back roads of central Virginia might be fun  for me to write, but they're not going to turn pages. Every scene should move the plot forward, and using an outline helps me make sure of that. I can ask myself if an item in my outline moves the plot forward and if it doesn't, I can chuck it. Likewise, I can ask myself if anything is missing. Do the events in my outline motivate my characters to do what they are supposed to do? If not, what else do I need?

3)Accomplishment: There's a reason why I don't knit blankets or sweaters. It's not that I don't like them, I just don't like big projects like that. I get impatient and want to move on to the next thing. I actually get a little depressed if I don't have that sense of accomplishment that comes with finishing something every now and then. So, a big writing project like a novel or (gasp!) a series of novels can be a daunting task. Working from an outline helps me break that down to smaller more manageable tasks. I  go act by act, scene by scene and check them off as I finish drafting each one. I even go so far as to print them out and put them into a notebook in the order of my outline right behind the relevant index card or cards for that scene. This way I can look at the manuscript and feel like I'm moving forward.

As I said before, I'm not disparaging anyone's process or lack thereof. I'm just saying that the old adage "Fail to plan, plan to fail" is famous for a reason. It takes a remarkably rare talent to just sit down and write a book without knowing the direction or having the end in mind. So if you're a writer, you might ask yourself. Am I that rare creative genius that can do that, or am I a classically trained samurai?