A Word About Spoilers

...and why I don't hate them.

 Tomorrow I will be lucky enough to go to a book signing at the National Press Club with Diana Gabaldon (super excited). It occurred to me when I opened her latest, Written In My Own Heart's Blood on my Kindle this morning that there will be A LOT of spoilers for me tomorrow. The book has been out for a week and I have barely cracked it open. I know from many tweets and Facebook posts that many of the people I'm meeting up with tomorrow have already finished it and will very likely be unable to contain their excitement. I thought about this for approximately one second and then shrugged and read on.

Unlike some folks out in the reader/viewer world I do not hyperventilate at the thought of knowing what's going to happen, nor do I stick my fingers in my ears and shout LALALALALA...when my friends/family/coworkers start talking about something I have yet to watch or read. Much is made around the water cooler and online about spoilers and avoiding spoilers. People get up in arms or downright cranky if they think they've encountered even a hint of a spoiler and seem to place the responsibility of keeping their worlds spoiler free on everyone around them. 

The trouble with that is, that it implies that the book or film or TV show is nothing more than its plot and that knowing any points of that plot (no matter how obscure) ahead of time ruins the whole experience. Quality of the writing? Not important. Strength of the characters? Inconsequential. Performance of actors in a part? Could be done in clay-mation or with mannequins. Direction, set-design, costumes? Who cares? This slavish and sometimes neurotic avoidance of spoilers suggests that HOW a story is told doesn't matter, only the story matters. 

If that's true why ever bother rereading anything? Why go to movies if you've read the book? Why watch a show if you already know what's going to happen? Or why watch a remake of an original movie? Who cares that Jane Austen's writing is elegant and beautiful? What does it matter than Aaron Sorkin's writes snappy dialogue makes us all feel smarter, or that Elmore Leonard creates characters that you just want to follow around to be near them?

Not so. There is so much more to a story than it's plot points. There is context and voice. There are characters and how they react to events. There is frequently a sea of emotion and any number of resulting actions or events that come from a single plot point. Knowing one plot point, or even a few shouldn't ruin the effect of the whole story. Stories and the work of the story tellers in whatever medium are worth so much more than that. 

I've probably read Pride and Prejudice a dozen times, and I still get chills when I Darcy proposes to Elizabeth again, whether it's delivered by the Darcy in my imagination or Colin Firth (to Elizabeth Bennet or Bridget Jones) or Matthew Macfadyen or anyone else. I still cheer at Elizabeth's spunk when she refuses him the first time, but I've watched every adaptation I came across. And they've ALL shown me something new. I read all the Hunger Games books, but I'll still go see the movies, because I want to see how they translate. And you'd better believe that I'll be glued to my TV come August to watch Outlander even though I know exactly what's going to happen. I've reread the whole series several times over, not because I forgot what happened, but because the author does such an incredible job of telling the story. 

I get it. I like to be surprised sometimes too. The Red Wedding blew me away. I had no idea what the secret to The Crying Game was. Those were great moments of surprise. But, once the shock wears off, I'm left with to marvel at the quality of the performances, or the direction or the editing. I don't NEED the element of surprise to appreciate the beauty of the work. 

With that said, I'm not going to tell you what's next for Dermot and Sarah. But I might post a few lines now and then, and they MIGHT give away some very minor plot points. You've been warned.

Are Nook Readers Hopeless Romantics?

Recently on a self-publishing forum that I frequent, a much more successful indie author than I asked the forum if we had seen our Nook sales dry up. I was one of the few people who answered "No". In fact, I have had a couple of months in the latter half of 2012 where Nook sales were all I had.  This prompted me to look a little closer at the difference between my Nook and Kindle sales and what some of the differences were. First, let's review the ebooks that I have and the differences between them (in case you haven't read them yet). I'll try not to give any spoilers.

histfic comparison

With that said, it's interesting to note that 84% of my Kindle sales are of The White House. This isn't completely surprising in since The White House was released four months before A Fond Kiss. However, 100% of my Nook sales are for A Fond Kiss. That's right, I have not sold a single copy of The White House on the Nook. Which is a shame, because it's a really good story (not that I'm biased or anything;)

This is what leads me to ask the question at the top of this post. Are Nook readers hopeless romantics? It's pretty clear that my based-in-fact love story appeals to them far more than pirates, even famous ones. Is it because A Fond Kiss is a love story, or because it's based on a true story? This of course has me wondering what's different about Nook readers vs. Kindle readers.

After a little frustrated searching online the only information that I found about the demographic differences between Kindle and Nook readers is a couple of years old. Since the e-reader market has exploded in the last couple of years, I'm not sure how accurate that information is.  This article from ireaderreview.com shows that Kindle users tend to be older than Nook users and credits the Nook color/tablet with attracting a younger audience. It also suggests that the older audience prefers the Kindle because it's lighter and therefore easier on arthritic hands (A dubious conclusion).  Given that this data is from 2010, before the Kindle Fire was released and was from a self-selected survey, the data isn't exactly that scientific. In fact, based on my experiences both as a reader and author, I found the idea that the Nook appeals to a YOUNGER audience surprising.

Here is another article from the Florida Research Group that compares the demographics of all e-reader users, but again it's two years old. There is no end to the number of articles comparing the devices themselves, and they're great for consumers shopping for a device, but there really seems to be a limited amount of market research done for authors looking to maximize their sales on either one. If I were about to publish a romance novel and was trying to decide whether or not to opt in to KDP Select with its exclusivity requirement, I might like to know a breakdown on Romance genre sales on Nook vs. Kindle. Otherwise, I might lose sales from other platforms that have a large number of readers in my genre. For independent authors running their own show when it comes to marketing, this kind of information would be very helpful in targeting that marketing rather than the current throw everything against the social media wall and hope something sticks strategy or the increasing popular mimic the best-sellers (50 Shades of Fill-in-the-blank) and ride the wave of whatever's popular strategy.

Maybe this is something that KDP, Pubit and Smashwords can offer as a value add to their authors. Maybe it could be another revenue stream for them. I can imagine that I'm not the only author who would pay a REASONABLE  fee for a timely demographic analysis of e-reader users or even monthly newsletter that goes beyond just the bestseller lists and looks at who is buying. I would think that this is all data that these e-publishing platforms have, it would just be a matter of putting it together in a form that people can read.

Admittedly, I'm new at this and I've been eyes deep in editing lately, but this doesn't seem too much to ask. Maybe this is out there already. If it is, please point me in the right direction. I'm sure it's a product of my corporate sales background, but I can get kinda nerdy about this stuff, and as the saying goes, Knowledge is Power.